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Margaret Qualley

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In Coralie Fargeat's new feminist horror movie The Substance, dangerous societal beauty criteria are actually the true creatures. They (female objectification, the disposal of "the old," the expansion of a market improved body customization) supply a monster of a cycle that leads Demi Moore's fading TV personality character Elisabeth https://seefridaythe13th.uzblog.net/the-substance-44141781

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